Life Post Covid-19: What Audio Post-Production Should Look Like Filmmaking, Industry NewsRoberto CuartasJune 17, 2020audio post production, sound design
How to Format your Script for a Voice-Over Project Filmmaking, Tips and TricksRoberto CuartasJune 2, 2020voice over, audio post production, sound design
Why ADR is an Opportunity for your Film Filmmaking, Tips and TricksRoberto CuartasMay 21, 2020audio post production, dialogue and ADR, film industry, film making, sound design
A Comprehensive Guide To Audio Post-Production (Part 2) Sound Design, Tips and Tricks, FilmmakingRoberto CuartasMay 5, 2020audio post production, foley, post production sound, sound design
A Comprehensive Guide To Audio Post-Production (Part 1) Filmmaking, Sound Design, Tips and TricksRoberto CuartasApril 30, 2020audio post production, film industry, sound effects
What’s The Difference Between Mixing for 5.1 & 7.1 (And Why it Matters) Tech Reviews, FilmmakingRoberto CuartasApril 14, 2020audio post production, mixing, sound design
What is ADR in Film (And Everything Else You Didn’t Know How to Ask) Filmmaking, Tips and TricksRoberto CuartasApril 2, 2020audio post production, dialogue and ADR, sound design
Yes, Sound Mixing & Sound Editing Really Mean Two Different Things Sound Design, Tips and Tricks, FilmmakingRoberto CuartasMarch 17, 2020audio post production, sound design
Creating Perfection in Post-Production: Controlled Atmospheres Filmmaking, Sound DesignRoberto CuartasFebruary 11, 2020audio post production, sound design
How Can You Make Your Film Sound Great? Filmmaking, Tips and Tricks, Sound DesignRoberto CuartasJanuary 21, 2020film making, film industry, audio post production, sound design