How to Create Realistic Reverb for your Films Tips and Tricks, Sound DesignRoberto CuartasJuly 30, 2020audio post production, sound design, sound effects
How The Film Industry Will Resume After Covid-19 According to Film Execs Industry News, FilmmakingRoberto CuartasJuly 16, 2020film industry, audio post production, sound design
Recording ADR Remotely: Challenges Filmmaking, Sound DesignRoberto CuartasJuly 2, 2020ADR, dialogue and ADR, audio engineering, audio post production, sound design
Life Post Covid-19: What Audio Post-Production Should Look Like Filmmaking, Industry NewsRoberto CuartasJune 17, 2020audio post production, sound design
How to Format your Script for a Voice-Over Project Filmmaking, Tips and TricksRoberto CuartasJune 2, 2020voice over, audio post production, sound design
Why ADR is an Opportunity for your Film Filmmaking, Tips and TricksRoberto CuartasMay 21, 2020audio post production, dialogue and ADR, film industry, film making, sound design
A Comprehensive Guide To Audio Post-Production (Part 2) Sound Design, Tips and Tricks, FilmmakingRoberto CuartasMay 5, 2020audio post production, foley, post production sound, sound design
A Comprehensive Guide To Audio Post-Production (Part 1) Filmmaking, Sound Design, Tips and TricksRoberto CuartasApril 30, 2020audio post production, film industry, sound effects
What’s The Difference Between Mixing for 5.1 & 7.1 (And Why it Matters) Tech Reviews, FilmmakingRoberto CuartasApril 14, 2020audio post production, mixing, sound design
What is ADR in Film (And Everything Else You Didn’t Know How to Ask) Filmmaking, Tips and TricksRoberto CuartasApril 2, 2020audio post production, dialogue and ADR, sound design
